Mi
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导演：
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Russ De Jong
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Criminals Roy and Orchid target a suspected trafficker, but Orchid kills her, defying Roy. After the crime hits national news, Orchid proposes robbing the wealthy Sterlings, who reportedly hold millions in bearer bonds. The Sterlings, however, are hosting a macabre dinner party, poisoning and torturing their guests. As Roy and Orchid attempt a break-in, the Sterling’s chef, Mit...
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Sam Davis
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"The Singers" is a genre-bending film adaptation of a 19th-century short story written by Ivan Turgenev, in which a lowly pub full of downtrodden men connect unexpectedly through an impromptu sing-off. The film explores the complexities of masculinity and the power of vulnerability through art.
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凯文·刘易斯
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The pic follows a desperate couple, who have pulled off a string of high-end break-ins to pay off a mob debt. When they attempt to rob their latest victim, they find themselves caught in a deadly game of cat and mouse where the tables are turned and the hunters become the hunted.
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巴里·索南菲尔德
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一位是作风矫健、机智幽默的联邦特工威斯特（威尔·史密斯 Will Smith 饰），一位是爱耍聪明的易容大师高登（凯文·克莱恩 Kevin Kline 饰），这两个看似一山不容二虎的狠角色却被总统同时召见了，原因是授命他们一同追捕一名神秘毒辣的科学家连环杀手。威斯特和高登只好在摩擦碰撞中培养默契，竟然很快成为一对绝配拍档。经过调查，两人发现原来幕后黑手竟然是曾经的天才博士勒弗里斯（肯尼思·布拉纳 Kenneth Branagh 饰），他因在一次实验中失去双腿，只好永久呆在轮椅上，然而残缺的个性与对社会的怨恨让他开始到处作乱，甚至发明了一架巨型的蜘蛛机器滥杀无辜，并企图谋杀总统，统治美国。危机迫在眉睫，威斯特和高登分头来到新奥尔良，驾驶着一列布满机关的火车迎战蜘蛛博士，一场古怪武器间的斗智斗勇已悄然展开……
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Heidi Greensmith
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The film opens in a bleak police station where celebrated war correspondent Kate Rafter (Seagrove) faces questions from a psychiatrist, Dr Shaw (Kurylenko), as they work through the painful events of Rafter’s life. A horrific incident in war-torn Iraq and the death of her mother (Steed) have brought a haunted Rafter home to Herne Bay, a place she believed she had escaped foreve...
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
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Claudia Lonow
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Tillie, a floundering young woman and her charismatic, alcoholic father, struggle to resolve their fractured relationship in the weirdest possible way: after he dies, his ghost appears in mirrors to haunt everyone in the family but Tillie. Tillie’s family must do everything they can to make Tillie see her father or else they will be plagued by this ghost forever.